Window Dressing
Just in time for party season, we offer six local interpretations of a
wardrobe classic: the little black dress.

Photograph: Nathan Kirkman
1. Paired with a gold-flecked
blouse, the voluminous faille bubble skirt by Doris Ruth wears
like a dress. The look is feminine and playful-and cocktail-party perfect. Says
designer Allie Adams: "It's a statement piece." Top, $178, and skirt, $278,
at Red Head Boutique, 3450 N. Southport Ave.; 773-325-9898
2. "I was inspired by a dress my mother
wore out for a special Saturday night when I was little," says designer
Lindsey Boland. "I can smell the Chanel No. 5 just thinking of it."
Each flutter-sleeved, Empire-waist creation comes with a removable vintage
brooch for pinning at the bottom of the low-cut V. $160 at
Habit, 1951 W. Division St.;
773-342-0093
3. Leave it to Orlando Espinoza
to offer a lesson in understated elegance. What appears to be a simple
long-sleeved dress actually boasts folds of ruching that undulate across the
bust and the upper back. Says Espinoza: "A dress should not be over-embellished
or overpowering." $440
4. Lara Miller had tuxedos on the brain
when she designed this convertible number that has the "formality of a tux and
quirkiness of a bow tie." Leave the ties loose or wrap them in various
configurations: behind the shoulders, crisscrossed in the back, or around the
waist like a cummerbund. $368
5. Despite Michelle Tan's
attempts at imperfection-from jagged, unfinished seams to the flip-up bib-her
adjustable frock is faultless. It looks best with the apron pulled up and tied
around the neck; this style exposes the obi-like waistband and the wide, flat
pleats of the A-line skirt. $250
6. No need for a necklace; Shane
Gabier has sewn vintage brass chains into the front yoke of his gauzy
tunic. "It can be totally A-line or gathered at the bottom," says Gabier, who
was inspired by sixties communes in California. The result: a look more Edie
Sedgwick than counterculture hippie. Wear with leggings and heavy wedge shoes.
$320
This article appears in the
January 2007
issue of Chicago Magazine.
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